Your book plan
From your run of Draft to Shelf: each choice you made, and the real-life step a professional publishing team would take next.
| Chapter | In the game you chose | In real life |
|---|
The book publishing game · about 5 minutes
You have a book in you. You have a budget and 12 months. Get it from draft to shelf, and into readers’ hands.
A game. Outcomes are illustrative, not predictions.
Each author starts with a different budget and goal. Replay as another to see a different book.
Your book’s story
Swipe through the cards, or use the arrows.
A free 15-minute call about your actual book: what it needs, what it costs and which path fits.
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Each of your choices, turned into the real-life step a publishing team would take next, on one printable page. We keep your run so a publisher can talk it through with you if you like.
From your run of Draft to Shelf: each choice you made, and the real-life step a professional publishing team would take next.
| Chapter | In the game you chose | In real life |
|---|
A different author, a different budget, a different book.
What Draft to Shelf teaches
A ghostwriter interviews you and writes in your voice; you keep the credit and, under a fair contract, the rights. Writing it yourself costs time and stamina, and the quality depends on your craft and the help you get afterwards. AI can draft fast, but it can’t supply your stories or expertise, and Amazon’s KDP content guidelines ask authors to disclose AI-generated content when they publish.
A developmental edit fixes the big things: structure, pacing, what’s missing. A copy edit fixes sentences, consistency and typos. A friend may catch typos, but rarely tells you a chapter isn’t working. Until a professional reads it, you don’t really know how good the book is, which is why your Quality well is cloudy.
Most readers first see a cover as a small thumbnail on a screen. A professional cover signals the genre at a glance and keeps the title readable at that size. Budget templates can end up using the same stock images as other books.
Each format reaches different readers: ebook readers, print buyers and gift givers, and listeners. Print lets you sell at events and reach bookshops and libraries. An audiobook needs narration and production, so it costs more up front.
Unsolicited offers, guaranteed results, pressure to pay fast and contracts that take your rights for years are classic warning signs. A legitimate hybrid publisher charges for clearly listed services, and the contract spells out your rights and royalties. Self-publishing keeps everything in your hands, including the work. Whatever the path, read the contract before you sign.
Check a publishing contract →On some big ebook platforms the royalty rate changes at set price points, so pricing just outside the band can sharply cut what you earn per copy. Simplified for the game.
Ads work best when a book already has reviews, a strong cover and a clear audience. Early readers who get advance copies (ARCs) can mean reviews in launch week, which helps every step after it.
A book keeps selling when its author keeps showing up. Talks and podcasts put it in front of new audiences, a newsletter turns readers into a list you own, and in fiction, the next book in a series often sells the first.
Yes. It takes about five minutes, there is no sign-up, and you can play as many times as you like, as any of the four authors.
No. It is a game: the budgets, costs and results are round, illustrative numbers, not predictions. The publisher’s notes describe real trade-offs that publishing teams weigh every day.
The eight decisions every book goes through: who writes it, editing, the cover, formats, the publishing path, price, the launch and what happens after it, plus how to spot an offer that is too good to be true.
It depends on the book’s type and length. Our ghostwriter cost calculator shows typical ranges by book type and length, from our published cost guide.
More free tools for authors: see them all.